Editing Tips from Douglas Gibson (#13)

In this recurring feature, we’re sharing tips for editors from the desk of Douglas Gibson. Good for those starting out or old hands who need a reminder, these reminders form an engaging guide for sharp-eyed wordsmiths.

Tip #13
Recent experience with Alice Munro’s new collection, Dear Life, reminds me that the editor of a short story collection has the advantage of seeing a collection of stories in “real time,” the present, while they may have been created years apart. Links and contrasts between stories may leap out to the reader/editor, while they come from different years, perhaps even different eras, in the writer’s life.

Missed the previous tips? Check out Tip #1, Tip #2, Tip #3Tip #4, Tip #5, Tip #6, Tip #7, Tip #8Tip #9Tip #10, Tip #11, and Tip #12.

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3 comments on “Editing Tips from Douglas Gibson (#13)

  1. […] #2, Tip #3,  Tip #4, Tip #5, Tip #6, Tip #7, Tip #8,  Tip #9,  Tip #10, Tip #11, Tip #12, and Tip #13. Share this:TwitterFacebookLike this:LikeBe the first to like this post. This entry was posted […]

    • Amiry says:

      Gibson Les Paul Special Sl Humbucker, Gretsch G5120, Prestige Heritage Standard,Squire Standard Strat (I think),Axl Headliner SRO Series, Takamine F005 TBS, and an old (57-58 maybe) archtop I beielve it is a Kay, but it’s been refinished and all markings were painted over.

  2. […] Tip #2, Tip #3,  Tip #4, Tip #5, Tip #6, Tip #7, Tip #8,  Tip #9,  Tip #10, Tip #11, Tip #12, Tip #13, and Tip #14. Share this:TwitterFacebookLike this:LikeBe the first to like this post. This entry […]

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