In the afterglow of Alice’s Nobel Prize, a photo of author and editor from last year.
As many of you will know, this year’s Toronto International Festival of Authors was supposed to feature an appearance by Alice Munro on October 19. To be more precise, it was supposed to be an on-stage conversation between Alice and me. All of the tickets were sold, the media were panting, the excitement was building . . . and then Alice’s health meant that we had to cancel it.
I tried very hard to make it possible.
But there were warnings. For example, Alice was unable to come, as planned, to my stage show at the Blyth Festival on September 28th. And can you imagine my anticipated pleasure at presenting my section on “ALICE MUNRO: Not Bad Short Story Writer,” in Blyth, the heart of Alice Munro Country, with Alice herself in the audience?
Blyth, I should explain, played a major role in Alice’s life. Her father, Robert Laidlaw, was born on a Blyth farm, went to school there, and eventually set up his trap-line along Blyth Creek, to augment his role as a young Huron County farm boy. He went after muskrats, weasels, mink and even foxes, which led him to his life raising foxes for their fur, in nearby Wingham, where Alice grew up.
Alice, too, has strong links with the Blyth Festival Theatre. In the 1990s (as Robert Thacker recounts in his classic biography, Alice Munro: Writing Her Lives) she acted in two theatrical fundraisers there. In her words, quoted by an interviewing journalist, “In one play – both of them were murder mysteries – I was an aging but still sexually voracious professor of English . . . And in another I played a lady writer who comes into the library and demands to know if any of her books are available. I loved it.”
Thacker continues, “When the journalist asked her why she would do this since she was well known for avoiding publicity connected with her writing, Munro’s response was interesting. “Well, that’s because I have to be me,” she says to explain her dislike of such self-promotion. “With acting, I love the mask.”
It was at a Blyth Theatre fundraising chicken supper that Alice played the mischievous waitressing role recounted by Val Ross in my book, and repeated in my stage show . . . the one that Alice was unable to attend.
But our Alice Munro Country weekend didn’t end after the show, which later featured a very interesting and informative panel discussion of Alice’s work. After spending the night with friends in Stratford, we headed back west to attend an event in Alice’s honour at the Wingham Golf Club, where the winners of a local writing competition were celebrated. The former Bayfield bookseller, Mary Wolfe, gave a fine account of Alice and her work, and Jane and I returned to spend the night at the Ben Miller Inn, on the Maitland River (always a source of unearned pride to a man with my middle name).
Later that week, to leave no stone unturned, I headed back from Toronto to Huron County to chat with Alice, to see if there was any way to salvage the Harbourfront event. I drove west from Stratford, on Highway 8, the old Huron Line that the settlers followed. As usual I found myself contentedly ticking off the familiar towns . . . Sebringville, Mitchell, Dublin (celebrated in my book for the realism of the settlers who named the majestic local waterway, “the Liffey Drain”), Seaforth, Clinton (Alice’s town, though tourists seeking directions to her house will encounter a veil of protective ignorance) and Goderich, where we were to meet for lunch.
I had not seen Goderich since last summer’s tornado tore through, and was shocked by the damage. When Alice and Gerry met me for lunch at the restaurant at the top of the hill going down to the Goderich harbour, I noted that Baillie’s, the restaurant on the “square” where Alice usually liked to meet friends, and where her books were displayed, had been wiped out, almost as if it had been the target of the storm. Alice chose to consider the gloomy possibility that this was the sign of a jealous God at work.
So she was her usual amusing self, but it soon became clear that all of my plans to make her Toronto stage appearance as undemanding — and as untiring — as possible for this 81-year-old were simply not going to work. So we had a nice lunch, and both of her arms remained untwisted. When we hugged goodbye, she noted fondly that we had been through “some interesting times over the years.” I was able to reply that I didn’t regret a moment of those, let’s see, 35 years.
But I do regret the Harbourfront show that we never gave. Speaking selfishly, it would have been a type of pinnacle for me. Speaking for the audience, and for Alice Munro admirers everywhere, I’m convinced it would have been a very memorable evening.