Take a little break from the holiday mania at 1 p.m. EST today by tuning into The Next Chapter on CBC Radio 1, In preparation for this year’s Canada Reads competition, Doug will be talking about Hugh MacLennan with host Shelagh Rogers.
Category Archives: News
Doug Gibson Reads from Two Solitudes
As part of his duties representing Hugh MacLennan for this year’s Canada Reads competition, Doug recorded a passage from Hugh MacLennan’s Two Solitudes. Have a listen over at CBC Books.
Alistair MacLeod Writes Again
I’ve spent much of my stage-show tour in the company of the clan MacLeod. In Guelph, for example, young Daniel was in the audience at The Book Shelf show. In Peterborough, Lewis, as a faculty member, organised my Trent University event. In Halifax, Alexander (author and professor) brought me to my event at St. Mary’s, where he introduced me very kindly, and also helped to arrange my tour of other Maritimes universities.
As for Alistair, he dropped in on my show at Windsor, and then joined with me in our Punch and Judy show at Eden Mills.
In the middle of summer, however, we were engaged in real work together. Hal Wake, of the Vancouver Writers’ Festival, had decided that a perfect way of marking the Festival’s 30th anniversary would be to sponsor, and publish, a new short story from his good friend Alistair. With my secret encouragement he approached Alistair, mentioning a mid-summer deadline, to which Alistair (to my amazement) assented.
Then Hal enlisted my help as editor (or swooping enforcer, if necessary). The enforcer role was not necessary. Alistair delivered the story to me in mid-summer. Since we both were slated to speak on the same afternoon (July 12) at the Humber Writers’ course, we arranged that I would send my editing suggestions by mail to Cape Breton, and then we would get together in Toronto. And so we did, meeting in Alistair’s hotel room after lunch, with friendly discussion of the few tweaks I had to suggest (not to mention details of the fighting around Ortona in 1944 that I was able to bring to his attention). As usual, our work was improved by the copy-editing skills of Heather Sangster, who had collaborated with us on No Great Mischief in 1999.
The design and production of the 40-page chapbook was all handled by Camilla Tibbs and Hal’s team in Vancouver. At this year’s Festival in October, Alistair was present for an on-stage interview with Hal that featured a reading from the chapbook that was being launched, entitled Remembrance.
My copy has just arrived, and I’m delighted with it, and very proud of my role. I’m pleased that the final page reads “The Vancouver Writers Fest would like to thank Doug Gibson, Peter Cocking (internal design) and Jessica Sullivan (cover design) for donating their time and expertise to this project.” Donating? I’d have paid for the privilege of working once again with Alistair, to help him bring a new story into the waiting world
There’s a special joy in reading the note: “ Alistair MacLeod would like to thank Doug Gibson for his help and editorial insight.”
My role was not restricted to editing the little book. I wrote the author’s biography, and the list of other books by him (including the special Christmas book To Every Thing There Is a Season that is not widely known) and I provided the cover copy, describing the book to readers encountering it for the first time. Here’s what I wrote, possibly influenced by the rhythms of Alistair MacLeod’s work in Remembrance:
It is November 11. In the cool morning air David MacDonald stands outside his Cape Breton home, planning to attend his last Remembrance Day Parade. As he waits to be joined by two younger David MacDonalds, he remembers the Second World War. He remembers the horrors of the battle at Ortona in Italy, and what happened in Holland when the Canadians came in as liberators. He remembers how the war devastated his own family, but gave him other reasons to live.
As the classic story unfolds, told in Alistair MacLeod’s deceptively simple style, other generations enter the scene. And we, aware of how many of the linked events go back to the mistakes of war, realise on Remembrance Day that “this time comes out of that time.”
Only 600 copies of this precious little book were printed. If you would like to get your copy, at $25.00, you should quickly go to http://www.writersfest.bc.ca/2012festival/remembrance
I have no financial involvement. But I am emotionally involved in a fine book by a fine friend, Alistair MacLeod.
Canada reads Hugh MacLennan
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CBC’s annual Battle of the Books Canada Reads announced their 2013 selections and panelists today at a reception in the broadcaster’s atrium. The books and champions are
- February by Lisa Moore, championed by comedian Trent McClellan
- Indian Horse by Richard Wagamese, championed by Olympic wrestler Carol Huynh
- Away by Jane Urquhart, championed by author Charlotte Gray
- Two Solitudes by Hugh MacLennan, championed by actor Jay Baruchel
- The Age of Hope by David Bergen, championed by broadcaster Ron MacLean
Since Hugh isn’t around anymore to represent his book as author, CBC has asked Doug to stand-in for Hugh and lend his special insight into Hugh’s work and Two Solitudes. Follow along at CBC Books!
Will Ferguson Almost Made It into My Book!
I was delighted when my friend Will Ferguson won the Giller last night. He and I and the film world’s Michael MacMillan were the only three people at the Giller Dinner in kilts, and it sure seemed to work for Will. (When we compared knees, his were sturdier, but mine were browner, and the hairiness was a manly tie.)
In kilted solidarity, Jane and I cleaned up in the side betting at our table, by putting our money on 419.
Although I have never published Will, we have had a friendly acquaintanceship for some years, and a story about him almost made it into Stories About Storytellers. It was in the original version, which (and I know this is hard for my most dedicated admirers, and my mother, to envisage) seemed to be a little too long. So, with the assistance of my editor, Jen Knoch, I edited out some stories.
Including this one:
After getting an Arts degree, like so many young Canadians Will headed off to teach English in Japan. He lived in an English-speaking bubble, so his use of Japanese was restricted to the usual tourist stuff: “Men’s room?” “How much?” “What time train to Yokohama?” and so on. And everyone he met socially was determined to practice their English on him, so he stayed at a basic tourist level.
When he came back to Canada, after the usual spell of hanging out with friends, it became necessary to get a job. A newspaper ad for a job with the Tourism Board in PEI, caught his eye. He met the general requirements – a B.A., and a willingness to relocate to P.E.I. (sounds great!) and an ability to write. But what caught his eye was a line about “the ability to speak Japanese” being an asset.
Will is like the rest of us, and he really wanted the job. So in his application, and the subsequent interviews he did not, let’s say, “understate” his fluency in Japanese. And he got the job!
He spent a number of happy months in PEI until the day his boss came into the office, rubbing his hands. “Great news, Will. You know how keen Japanese tourists are to come here to visit Anne of Green Gables sites. Well, next week, a whole busload of Japanese Tourist Agency owners are coming here, and you’ll have a chance to use your Japanese language skills on them!”
It was a dreadful week for Will. He spent hours secretly combing through phrase books and dictionaries.
Then the day came, when the busload of smartly dressed Japanese men filed off their bus, and stood attentively before Will’s boss. He welcomed them, in English, then proudly introduced “my colleague, Will Ferguson, who will address you in your own language.”
Will stepped forward, and said, in Japanese: “As you can hear, I not really speak Japanese. But my boss here, he not know that. So please not to tell him.”
There was a gale of laughter.
Then Will said, in Japanese, “Many thanks, nice to see you here, welcome to Prince Edward Island, and now I talk in English.”
When he finished, he was warmly applauded. A number of the Japanese visitors even came up, congratulated him, and said loudly to his boss, “Very good Japanese.”
When the successful visit was over, his boss was very pleased. “That went really well, Will. But tell me, what was the joke you made early on that really got them laughing?”
“Ah,” said Will, “It’s kind of hard to translate.”
Doug’s thoughts on the “Turf Wars” of Canada Reads
The theme this year for Canada Reads is “Turf Wars,” pitting one region of Canada against another. The CBC designated five regions, and readers across the country voted on which books should represent each region. Recently CBC Books announced the top 10 books for each region, and asked Doug to comment on those selections. You can read this thoughts on the top 10 list at CBC Books.
Alistair MacLeod Got It Right
The Globe and Mail obituary for the Rankin Family’s Raylene Rankin on October 10 began,
Raylene Rankin and Susan Crowe disagreed about a scene in Alistair MacLeod’s novel No Great Mischief. There is no way that the story’s narrator would take his brother all the way back to Cape Breton to die, argued Crowe.
“[Raylene] looked me in the eye and said, “You’re not from Cape Breton,” said Crowe of her friend and musical collaborator. . . .
I’m not from Cape Breton, but in editing the book I never questioned Alistair’s decision to provide that particular powerful ending. Sometimes editors are smart to assume that authors know what they are doing.
Stories About Storytellers Comes to the East Coast
Having already ranged all over Ontario, the Prairies, and the West Coast, Douglas Gibson is bringing his stage show to the Atlantic provinces at long last.
Between September 20rh and September 26th, he’ll be doing his stage show at the Art Gallery of Nova Scotia, Mount Allison University, Acadia University and St. Mary’s University. You can also catch him hosting Marina Endicott and Ami McKay at Halifax Word on the Street and giving the Flemming Lecture at King’s College.
For more information on dates and showtimes, head over to the events page.
Praise from the Sunshine Coast
“The Coast Reporter . . . Voice of the Sunshine Coast” recently ran a very nice report on this year’s superb Festival of the Written Arts at Sechelt under the heading “Making history — 30 Years of Festival.” The final paragraph reads,
“But it was the respect for history that dominated this 30th festival. It could be felt in the work of (Jane) Urquhart whose books turn on scenes from Canada’s past, and in the humorous anecdotes about Canadian literary giants, as told by editor Douglas Gibson. The polished ramblings of this career editor and publisher, more than any other speaker, reminded the audience of how this country’s literary tradition is still youthful, and how it has blossomed into adolescence over the last 30 years, completely in step with a festival that has proudly fostered its growth.”
Read the full article here.
Douglas Gibson Remembers William French
In the August 9th edition of the Globe and Mail, Doug offers his thoughts on influential book reviewer William French, who died July 24, 2012. Read the piece here.






